Integrated mechanics
of the combination
of the tone and the unvoiced consonant
in the musical fields of knowledge
Universal analysis
of the combination of the tone and the unvoiced consonant in the musical
process of knowing – 7.3.5.11.00
.
in the acoustic space
. in the musical tone-space
. in the musical motif-space
. in the musical sequence-space
. in the musical harmony-space
SEMINAR
7.3.5.11.01
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the force-field of the acoustic space
to the field of our neurophysiology
7.3.5.11.02
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of our neurophysiology to the
force-field of our mind
7.3.5.11.03
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the force-field of our mind to the field
of our inner voice
7.3.5.11.04
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of our inner voice to the field
of knowledge of the musical tone-space
7.3.5.11.05
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of the musical
tone-space to the field of knowledge of our hearing
7.3.5.11.06
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of our hearing
to the field of knowledge of the musical motif-space
7.3.5.11.07
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of the musical
motif-space to the field of knowledge of our understanding
7.3.5.11.08
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of our understanding to the
field of knowledge of the musical sequence-space
7.3.5.11.09
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
7.3.5.11.10
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of our feeling
to the field of knowledge of the musical harmony-space
7.3.5.11.11
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of the musical harmony-space
to the field of knowledge of our intellect
7.3.5.11.12
Integrated mechanics of the combination of the tone and the unvoiced consonant
at the transition from the field of knowledge of our intellect
to the field of knowledge of our self-awareness
© Aar Edition International, 1986
Seminar
Series 7.3.5.01.00 – 7.3.5.26.00
Integrated
mechanics of the combination
of basic tone &
of basic sound
Overtone
spectra
of the combination
of tone & sound
Periodic
vibration
of tone & sound
Vibration
sequences
of the combination
of tone & sound
Mechanics
of the aperiodic vibrations
of the combination
of tone & sound
Mechanics
of the attacks
of the combination
of tone & sound
Mechanics
of the decays
of the combination
of tone & sound
Overtone
mechanics
of the combination
of tone & sound
Mechanics
of the combination
of the tone & the vowel
Mechanics of the combination of the overtone spectrum
Mechanics
of the combination
of the tone & the unvoiced consonant
Mechanics
of the combination
of the tone & the voiced consonant
Mmechanics
of the combination
of tone & sound
Eigenfunction
of the voiced consonant
& the tone
Eigenfunction
of the unvoiced consonant
& the tone
Eigenfunction
of the formants & the overtone spectrum
of the tone
Eigenfunction
of the overtone mechanics
of sound & tone
Eigenfunction
of the decays
of sound & tone
Eigenfunction
of the attacks
of sound & tone
Eigenfunction
of the aperiodic vibrations
of sound & tone
Eigenfunction
of the vibration sequences
of sound & tone
Eigenfunction
of the periodic vibrations
of sound & tone