I THE PROCESS OF CREATING MUSIC
II THE CLASSICAL TEACHING SCOPE OF MUSIC
III THE INNER MECHANICS OF CREATING MUSIC
IV DIDACTICS OF MUSIC
V THE FORCE-FIELDS IN MUSIC
VI THE PURPOSE OF MUSIC TRADITION
VII SPACE AND TIME IN MUSIC
VIII THE PHYSICS OF MUSIC
IX THE SYSTEMS OF ORDER IN MUSIC
X SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS
XI THE SCIENCE OF MUSIC
XII MUSIC & SPEECH
• Tonality
• Differences in Understanding as Reflected by Language
• The Beginnings of Musical History
• The New Sound Composers of the 20th Century and the Range of Intervals
• Advancing to the Transcendental Play of Music
• Musical Insight into the Culture of Peoples
• Musical Relationships
• The Musical Path to Self-Knowlegde
• Homophony
• Polyphony
• The Counterpoint
• The Threefold Perfect Form of the Harmony
• Relations in Music
© AAR EDITION INTERNATIONAL 1982